Monday
Jan182010

PETE AND MIRIAM : IN PRODUCTION

My publisher in France, Editions Ca Et La, has recently informed

me that Pete And Miriam Vol. 1 is on its way to the printer! I

will receive copies of the french edition in March. I'm very excited

about this book--it'll be the first time I've had my own graphic

novel published A) In a foreign country before seeing publication

in the U.S. and B) in hardcover. Satchel Paige was a hardcover

novel, but I was not the author. Hopefully, this edition will lead to

a U.S. version soon. Well, enjoy today's silent page of Sam Hill...

 

 

Thursday
Jan142010

ROY  SPEAKS!

I know, it's been pretty goddamn boring reading

Pete And Miriam so far, but next week--you just

watch! He's going to actually have a conversation

with Peter! Inking these upcoming pages was kind

of a strange experience for me, for this next scene

where Peter and Roy meet was pencilled back in

2003... So for those of you who branded my story

a "rip-off of Dan Clowes" (and his Art School

Confidential film), sorry! You're dead wrong. Film

School (which was orignally titled, Filmography,

but that sounded too boring) was written AND

pencilled way back in 2003--kinda hard to steal

from a movie which wasn't even written yet.

This work was interrupted by my contracts with

ibooks, a defunct publishing house, for whom I

was to author a Miriam childrens book and

Hyperion Books, for whom I illustrated Satchel

Paige:Striking Out Jim Crow. These projects

took away from Film school, about three years.

Whoops! Looks like the art snobs were wrong

about me again...Enjoy today's strip.

 

 

 

 

Monday
Jan042010

THE CAVALIER HOTEL : SEVEN YEARS IN THE MAKING

Today's Sam Hill strip features my "illustrious" architectural  creation--The Cavalier Hotel. I must have

redesigned this thing a thousand times over the passed seven years. My long-projected series has always

begun around the early 1900s, but I could never figure out just how old Frank's hotel should be... if he

had built the place himself (in which case, during the late 1800s, he could have possibly afforded brick or

stone) or if he had only invested a little bit of money in becoming part-owner of the hotel (in which case,

the damn thing could have been built by someone in the late 1700s, who possibly used wood). As to The

Cavalier's location, it was always intended to be in either West Texas, Oklahoma, or Los Angeles--three key

cities in Jim Thompson's own background (the Texan crime novelist who Sam Hill's character is based upon).

Anyway, the thing went through many manifestations: a tall brick structure, a tiny six-room dump, a ranch

style "motel", a wooden barn of a place, a five-story, big-city hotel, equipped with a fancy sign that  spelled

out "The Cavalier" in individual, three-dimensional letters (which is actually on the way--this modern city

structure will be Frank's next endeavor in the hotel management business--when he moves his family out

west to Los Angeles in the early thirties). In 2001, when I created this first story, I paused shots and drew

many sketches of a hotel in the 1962 film, Cape Fear to use for The Cavalier. I did the same thing over

and over again in the following years with films like: Sunset Boulevard, The Man Who Wasn't There,

Miller's Crossing, Barton Fink, etc...until I decided that it had to come from old photographs--the hotel had

to come from an accurate, trust-worthy source. I couldn't rely on Hollywood set designers who possibly

had limited knowledge of (or took artistic liberty with) these by-gone eras they were re-imagining. But, I

digress... so go check out what I decided would be the first of Frank's many "hotels-to-come"...

 

 

Friday
Jan012010

HAPPY NEW YEAR!

Enjoy today's angry strip about my ol' pal Eric

(from comicdom's  Let's Hit The Road) livin' the

life out in the city of Seattle.

 

 

 

 

Thursday
Dec312009

DON'T LOOK BACK, GUNNAR!

Yes, It's true, the strange creature that

Fran is conversing with on pages 5 and 6

is in fact, Gunnar from Vikings' End. Now

can anyone guess who the pleasantly

plump blonde is on pages 3 and 4?